Surprisingly, its film feature doesn’t make it the best track on the LP. The main highlight of the album isn’t the title track. He gets a bit redundant at times, but that proves to be a small issue rather than a big one. This is Kavinsky’s 3rd album his first two went relatively unnoticed by critics and fans alike, making this release a smart one due to it being better than his previous albums. There’s a myriad of French electro-house producers out there but Kavinsky stands out from the pack with his nostalgia laced jams and his fresh songwriting that doesn’t rely too heavily on bass or redundant drops. He records most of his material on a Yamaha DX7. Kavinsky’s production scheme is that of 80’s electro pop opulent and massive. I’m glad to say that because of “Drive”, I found a great batch of songs. The track, titled “Nightcall”, was stuck in my head immediately. I’m not an electronic music buff in the slightest I’ve only listened to IDM (Aphex Twin, Autechre) and british Big Beat bands like the Prodigy, the Chemical Brothers, etc. This song got famous simply because of this film and it’s not like I would have heard it otherwise. The film’s intro featured an ethereal, lush electronic track by the French electro-house producer, Kavinsky. I thought it was a really impressive film the acting was wonderful, the cinematography was stellar and the music…damn, the music was my favorite part. #NIGHT CALL KAVINSKY DRIVE MOVIE#Just last weekend I decided to watch the movie “Drive” starring Ryan Gostling as the badass Driver character. Review Summary: Steal mom's car and crank up the bass.
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